Ptar are already infamous ahead of their first release. Incubated by East London's enigmatic Oil Records, rumours abound of this music's provenance, and whether PTAR's members really were blackballed by a secret society. Whatever the truth, PTAR's debut is a propulsive thrill ride both proto-pop and post-rave. 'High Renaissance' is a secular devotional for the end of days, a two-and-a-half minute liturgy for the new world order, a prophetic lament: set to rock 'n' roll guitar, synth stabs and hypnotic bass drum, this track defies resistance as well as categorisation. Accompanied by equally peripatetic visuals, seemingly made on a Devil's Wheel, PTAR come from a world heavy with occult symbolism. Its rumoured that PTAR have been blackballed by a secret society. Their music delivers a secular devotional for the end of days, a liturgy for the new world order, a prophetic lament. PTAR is engimatic art pop, music that's as well-dressed, as it is propulsive.